For example, I use an Earthquaker Devices Dispatch Master in my signal chain before the Supa-Trem. It’s also worth noting that a stereo pedal will split your mono pedals into stereo as well. Depending on the sound you’re going for, you can use stereo effects or effects with a wet and dry output. It isn’t the most practical approach for live performances, but it can make a big difference to recordings or even performances where your amps aren’t mic’d up. The simplest way to achieve wide soundscapes is by using multiple amplifiers or amp simulators. Now that we’ve covered the essentials, let’s look at a few ways to achieve these sounds and some cool devices that can help you get there. Mixed together, it’s a delicious soup of sound that turns simple chords into heavenly or haunting guitar symphonies. The Echo Park is also a stereo pedal, and that particular mode bounces the delay signal back and forth as well. It sounds incredible, and it’s even more fun when I run my Line 6 Echo Park in front of it in Ping Pong mode. This switch enables the pedal to bounce back and forth between amplifiers when being used in stereo, and you can select the degree to which the tremolo signal pans back and forth between amps. For example, I use a Fulltone Supa-Trem 2, which features stereo inputs and outputs as well as a phase correlation switch. This is especially fun when you have a pedal with panning capabilities. This is because a stereo pedal sends its sound to both amps. When I ran two cables out of the M5 to two separate amps, I was delightfully stunned when I realized both amps were receiving a wet signal. I liked the idea of having multiple effects available in case I needed them, and Line 6 stuff is very serviceable, especially the delays and reverbs. Since my first dual-output experience was one of the wet/dry variety, I was expecting the same results when I purchased a Line 6 M5. It sounds great, and it’s a lot of fun to experiment with. You can set one amp up for your dry tone and the tone of the other for the delay sounds. For example, the wonderful Electro Harmonix Deluxe Memory Man has a wet and dry output, allowing for one amplifier to receive a delayed signal and another to receive a dry, or clean, signal. Wet simply means the part of your signal that is being run through the effect pedal.
After some tinkering, I discovered the delay signal would only be heard if the output cable was coming from the wet, or effect, output. I thought the pedal didn’t work, and I was furious. I only came to understand when I mistakenly had the cable going to my amplifier running out of the dry output. I noticed it had two outputs but had no idea what the second one was for. When I was a young lad, I got my first pedal with a dry output, a Maxon AD999 analog delay.
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